1 00:00:07,600 --> 00:00:09,400 Thank you. 2 00:01:55,580 --> 00:01:56,580 Carl Christie. 3 00:01:56,840 --> 00:01:57,940 Isn't she glorious? 4 00:01:58,480 --> 00:02:00,760 She's everything I told you, isn't she? Come on, speak up. 5 00:02:01,000 --> 00:02:02,800 Don't be shy. She's going to be your star, right? 6 00:02:03,080 --> 00:02:05,620 She's going to be your star. You've got to have confidence. You've got to have 7 00:02:05,620 --> 00:02:08,780 energy. You've got to talk to her. He's the one I told you about. Bakersfield 8 00:02:08,780 --> 00:02:09,579 Film Festival. 9 00:02:09,580 --> 00:02:10,580 Best short feature. 10 00:02:10,680 --> 00:02:11,679 This is Carl. 11 00:02:11,680 --> 00:02:13,620 He's brilliant. He's fantastic. Isn't she? 12 00:02:13,840 --> 00:02:17,360 What do you think? You've got to connect with her. You've got to connect. If you 13 00:02:17,360 --> 00:02:20,160 are going to have a psychosomatic connection with your actress to 14 00:02:20,360 --> 00:02:23,240 Fine, beautiful art. You've got to dial in. You've got to see her eyes. You've 15 00:02:23,240 --> 00:02:26,460 got to see the spirit dwelling within those eyes. Let's see it. Let's see if 16 00:02:26,460 --> 00:02:27,460 there's a connection. What do you think? 17 00:02:29,180 --> 00:02:32,260 Does your boy know how to give good toe? 18 00:02:33,300 --> 00:02:34,360 Give good toe? 19 00:02:34,660 --> 00:02:37,880 Oh, he's from Bakersfield. That's all they do in Bakersfield is give good toe. 20 00:02:37,960 --> 00:02:41,980 They've got nothing else to do. It's just desert and oil fields and a bunch 21 00:02:41,980 --> 00:02:42,980 cows and dairies. 22 00:02:43,180 --> 00:02:45,740 They're the best toe givers you can possibly imagine. Right, Carl? 23 00:02:46,540 --> 00:02:47,680 Toe? Well, show her. 24 00:02:49,470 --> 00:02:50,950 See what you can do. 25 00:02:51,330 --> 00:02:53,590 Sometimes you have to sacrifice for your art. 26 00:02:53,830 --> 00:02:57,310 I had to sacrifice when I was young. I had to sacrifice a lot. There are things 27 00:02:57,310 --> 00:02:58,970 I will never tell you about. 28 00:02:59,550 --> 00:03:00,309 It's important. 29 00:03:00,310 --> 00:03:03,290 It's very important because from that sacrifice builds character. 30 00:03:03,490 --> 00:03:06,730 The symbols that you devise from those, the mythological symbols. 31 00:03:06,930 --> 00:03:07,930 Excuse me. 32 00:03:08,110 --> 00:03:09,470 Can you just rub my toes? 33 00:03:10,650 --> 00:03:12,590 You heard her. Rub her toes. 34 00:03:13,270 --> 00:03:14,270 Just rub your toes. 35 00:03:15,290 --> 00:03:16,290 Yes, now. 36 00:03:21,640 --> 00:03:23,280 Carl, you have to admit, they're glorious toes. 37 00:03:23,520 --> 00:03:24,860 Well, I mean, she's great. 38 00:03:25,140 --> 00:03:27,140 But, I mean, rubber toes? 39 00:03:29,600 --> 00:03:33,740 So you see, Christy, I'm training him. I'm training him. And the man, the boy 40 00:03:33,740 --> 00:03:34,740 obviously gives great toe. 41 00:03:35,580 --> 00:03:36,580 Beautiful toe. 42 00:03:36,740 --> 00:03:39,660 Come on, Carl. Come on. Let's see the work. Let's see the work. 43 00:03:40,680 --> 00:03:43,620 World -renowned toeing. 44 00:03:43,980 --> 00:03:45,220 Deep, deep, deep. 45 00:03:45,520 --> 00:03:46,520 Yes. 46 00:03:46,880 --> 00:03:50,360 They're very sore. I was out late last night. And I had to entertain. 47 00:03:52,360 --> 00:03:55,320 So many directors and everybody wants me. 48 00:03:55,860 --> 00:03:58,400 I'm just so tired. I'm just so exhausted. 49 00:03:59,460 --> 00:04:00,460 The rubbish. 50 00:04:01,920 --> 00:04:06,180 I really would like it if he would wipe my ass. 51 00:04:07,080 --> 00:04:09,280 Of course. What was I thinking? You've got to wipe her ass. 52 00:04:09,600 --> 00:04:11,040 There's no doubt about you. Absolutely. 53 00:04:11,500 --> 00:04:12,940 You've got to wipe her ass. 54 00:04:13,500 --> 00:04:15,120 Carl, what's the hesitation here? 55 00:04:15,540 --> 00:04:17,459 You're getting an opportunity to wipe this ass. 56 00:04:17,720 --> 00:04:19,019 Not just any ass. This ass. 57 00:04:19,940 --> 00:04:20,959 Hold it. Right here. 58 00:04:23,800 --> 00:04:24,779 Right here. 59 00:04:24,780 --> 00:04:25,780 There we go. 60 00:04:25,980 --> 00:04:26,980 There it is. 61 00:04:29,000 --> 00:04:30,000 Wonderful. 62 00:04:31,680 --> 00:04:32,680 She'll sign the contract. 63 00:04:33,240 --> 00:04:34,240 I'm a star. 64 00:04:34,380 --> 00:04:37,680 And when I tell you to wipe my ass, you wipe my ass. 65 00:04:38,560 --> 00:04:40,000 Okay? Come on. 66 00:04:41,080 --> 00:04:42,080 Wait. 67 00:04:45,140 --> 00:04:49,060 This is the sacrifice I have spoken of so many times in my lectures that show 68 00:04:49,060 --> 00:04:50,060 that they just don't listen. 69 00:04:50,940 --> 00:04:52,060 Beautiful. Wonderful. 70 00:04:52,500 --> 00:04:53,500 Wonderful. 71 00:04:53,840 --> 00:04:54,880 Well, what do you think? 72 00:04:56,760 --> 00:04:59,160 I... I wiped your ass. 73 00:04:59,600 --> 00:05:01,220 I think I need to take a shower. 74 00:05:03,440 --> 00:05:04,440 I'm a little tired. 75 00:05:06,100 --> 00:05:07,740 I need to be rejuvenated. 76 00:05:08,340 --> 00:05:09,860 I'm going to go take a shower. 77 00:05:11,200 --> 00:05:14,020 And I'd like little director boy to come with me. 78 00:05:17,680 --> 00:05:19,580 Come on, little director boy. Let's go. 79 00:05:24,760 --> 00:05:26,440 Carl, what's that hesitation? 80 00:05:27,340 --> 00:05:30,140 Was that not the finest thing you've ever seen? 81 00:05:30,500 --> 00:05:35,120 Was that, was it, was it... Carl, I want to make the film. 82 00:05:35,400 --> 00:05:38,060 Come on. I'll show you how to make your film. Come on, come on, come on. Follow 83 00:05:38,060 --> 00:05:39,060 me, follow me. Let's do this. 84 00:06:09,200 --> 00:06:10,200 um 85 00:16:30,410 --> 00:16:32,370 This is really important for the project. 86 00:16:32,850 --> 00:16:35,470 Really, really. Look, I know you're kind of freaking out. You're wondering 87 00:16:35,470 --> 00:16:36,470 what's going on. 88 00:16:37,030 --> 00:16:39,590 We have a little problem. Not a big deal. Not a big deal. 89 00:16:40,130 --> 00:16:43,410 Christy is in Cancun right now. 90 00:16:44,090 --> 00:16:46,450 And she's not coming back. 91 00:16:47,190 --> 00:16:50,990 She's not coming back. So we're going to have to get you a new lead. 92 00:16:51,430 --> 00:16:52,670 We're not coming back. 93 00:16:52,940 --> 00:16:54,180 Well, she's, I don't know. 94 00:16:54,700 --> 00:16:56,920 She's got some sort of past things, some sort of emotional things, 95 00:16:57,000 --> 00:16:59,720 psychosomatically. She's just not there. We know she's not there anyway. Let's 96 00:16:59,720 --> 00:17:03,560 do it next week. We knew going into this. Are you getting short with me? 97 00:17:03,700 --> 00:17:07,599 man, I know this is your film, but this is my money. I've got a million dollars 98 00:17:07,599 --> 00:17:08,800 in this thing. I believe in you. 99 00:17:09,099 --> 00:17:12,900 Don't get hostile with me. I'm telling you, man, just don't get hostile with 100 00:17:12,900 --> 00:17:14,280 What are we going to do? We've got to get into the group. What are we going to 101 00:17:14,280 --> 00:17:18,640 do? The reason we're here, if you'll just let me speak. 102 00:17:19,300 --> 00:17:21,460 is I have some girls for you to see. 103 00:17:21,760 --> 00:17:24,619 We're going to do a little casting thing. I want you to read some new 104 00:17:24,800 --> 00:17:27,280 Give them a shot. Look, you're tensing up. 105 00:17:27,980 --> 00:17:28,980 Don't do that. 106 00:17:29,200 --> 00:17:32,260 When you're on the set, man, you've got to be a pillar of strength. 107 00:17:32,580 --> 00:17:37,160 You've got to be the wise man, the sage. You have to be the Obi -Wan Kenobi. You 108 00:17:37,160 --> 00:17:38,160 have to be Yoda. 109 00:17:38,700 --> 00:17:39,619 Be Yoda. 110 00:17:39,620 --> 00:17:40,800 Be reserved. 111 00:17:41,810 --> 00:17:46,090 passionate, and show great strength, okay? So just keep that in your mind. 112 00:17:46,090 --> 00:17:49,290 that in your mind, okay? Don't freak out. You're freaking out. You can't do 113 00:17:49,290 --> 00:17:52,190 this. I'm freaking out? This is your shot. 114 00:17:52,430 --> 00:17:55,590 You just told me Christy's not going to be here. I mean, it's a little weird. 115 00:17:55,810 --> 00:18:00,390 I think our first girl is here, okay? I'm going to bring her in. Her name is 116 00:18:00,390 --> 00:18:02,210 Brittany, okay? She's a little shy. 117 00:18:02,650 --> 00:18:05,550 I want you to read her. We'll put her in something nice to wear. 118 00:18:05,870 --> 00:18:06,849 Read her. 119 00:18:06,850 --> 00:18:10,510 We'll have a new lead, and your film will be fine, okay? Don't worry. Don't 120 00:18:10,510 --> 00:18:11,319 worry. 121 00:18:11,320 --> 00:18:14,300 Trust me. Trust me. Your film will be beautiful. It'll be fine. 122 00:18:14,500 --> 00:18:17,000 Okay? Okay? I'm going to get Brittany. 123 00:18:17,380 --> 00:18:18,600 I'm going to get... Relax. 124 00:18:18,940 --> 00:18:19,940 Relax. Okay? 125 00:18:20,120 --> 00:18:22,560 Okay? Remember, Obi -Wan Kenobi. 126 00:18:27,940 --> 00:18:29,800 Brittany? Brittany? 127 00:18:30,100 --> 00:18:31,940 This is Carl. 128 00:18:32,340 --> 00:18:33,640 Hi, Carl. Hello, Brittany. 129 00:18:33,900 --> 00:18:36,180 Okay? Carl is the director. 130 00:18:37,659 --> 00:18:43,780 And we brought you in to do a little read. We have a little casting issue, 131 00:18:43,780 --> 00:18:44,780 it's okay, right? 132 00:18:46,240 --> 00:18:51,220 It's great. We're going to find somebody. Our casting issue is just 133 00:18:51,860 --> 00:18:54,360 We're going to be fine. That's why I hope I can help. 134 00:18:54,620 --> 00:18:57,500 Did your agent tell you what this is about, what the movie is about? 135 00:18:57,860 --> 00:19:04,140 No, you know, I just really got a last minute call to be here today. Did you 136 00:19:04,140 --> 00:19:05,200 bring sides for her to read? 137 00:19:06,730 --> 00:19:07,730 No? 138 00:19:08,790 --> 00:19:09,790 Carl, 139 00:19:09,810 --> 00:19:12,490 come on, come on. You've got to be thinking ahead here. You've got to be 140 00:19:12,490 --> 00:19:14,390 step ahead of the ballgame here. Oh, okay. 141 00:19:14,610 --> 00:19:17,930 You've got to bring sides to the session if you're going to read for the new 142 00:19:17,930 --> 00:19:21,070 lead. Look at her. She's gorgeous. She needs paper. She needs words. She needs 143 00:19:21,070 --> 00:19:23,450 ink. We've got to leave. The girl's got to have ink. 144 00:19:23,670 --> 00:19:25,450 I don't know what we're going to do. 145 00:19:25,730 --> 00:19:27,810 So there's no script? Oh, you know what? 146 00:19:28,010 --> 00:19:29,010 Here. 147 00:19:29,250 --> 00:19:32,770 We're going to pick a page out of here and you can read this, but I think we 148 00:19:32,770 --> 00:19:33,770 have a problem here. 149 00:19:34,110 --> 00:19:35,970 I think we have a problem we need to deal with. 150 00:19:36,360 --> 00:19:40,580 She's beautiful, but we've got to send this tape to the studio for approval, 151 00:19:40,580 --> 00:19:45,300 she might be a little bit too done up, so we need to get her in some different 152 00:19:45,300 --> 00:19:50,020 wardrobe. Here, I'll take this. Let me have the script, and we'll choose a page 153 00:19:50,020 --> 00:19:53,220 later. We don't need that. Now, would you stand in control? Just relax. 154 00:19:53,440 --> 00:19:54,239 Okay, relax. 155 00:19:54,240 --> 00:19:55,119 It'll all be good. 156 00:19:55,120 --> 00:20:01,600 Let's pick something out for her to wear, and we'll put her on tape in 157 00:20:01,600 --> 00:20:02,600 special. 158 00:20:03,080 --> 00:20:06,420 Someone should have told me specific things to bring. I mean, I could have 159 00:20:06,420 --> 00:20:07,420 brought my own stuff. 160 00:20:07,440 --> 00:20:09,360 Carl. Carl, help her out. 161 00:20:09,900 --> 00:20:11,080 This will work. 162 00:20:11,360 --> 00:20:12,360 How about this? 163 00:20:12,420 --> 00:20:13,420 Okay. What do you think? 164 00:20:13,700 --> 00:20:17,780 I don't know. What kind of part is this? It's a little see -through. 165 00:20:18,860 --> 00:20:22,320 Well, I mean, there might be. 166 00:20:22,860 --> 00:20:24,440 Okay. That's fine. 167 00:20:25,460 --> 00:20:27,360 Let's see. Let's see this. Let's just stand up. 168 00:20:27,560 --> 00:20:29,800 Step back there, Carl, so we can see. 169 00:20:30,840 --> 00:20:32,180 I think this is good, don't you? 170 00:20:32,840 --> 00:20:34,880 This is good. Look, it's flowery. It's floral. 171 00:20:35,100 --> 00:20:38,760 The roll is very Midwestern, and they like that. They like flowers. They like 172 00:20:38,760 --> 00:20:40,020 texture and flowers and things. 173 00:20:40,560 --> 00:20:43,780 This will be perfect for that, don't you think? Okay, sure. I think it'll be 174 00:20:43,780 --> 00:20:47,720 wonderful. I think it'll work. Okay, listen. We have a lot to talk about. 175 00:20:47,720 --> 00:20:50,140 having a panic attack today. He's fucking out of control. 176 00:20:50,420 --> 00:20:53,260 I've got to calm him down, okay? This is not a bad situation. 177 00:20:53,580 --> 00:20:56,940 We'll work this out. Look, look. We know she's not coming back from Cancun, but 178 00:20:56,940 --> 00:20:58,180 don't stress it, dude. It'll be cool. 179 00:20:58,669 --> 00:21:00,170 Who knows? Brittany might work out. 180 00:21:00,850 --> 00:21:04,150 She's going to change into this thing. You change into this darling, honey. You 181 00:21:04,150 --> 00:21:07,090 look wonderful. We love what you came in, but we think this might feel a bit 182 00:21:07,090 --> 00:21:08,130 better for our Midwestern audience. 183 00:21:08,390 --> 00:21:13,950 So you put that on, and you and I go talk, and then we'll come back and we'll 184 00:21:13,950 --> 00:21:16,750 put her on tape, okay? I need to calm down. 185 00:22:55,610 --> 00:22:59,210 She's got to be done. Now this outfit's got to be done. Oh, look it. She's done. 186 00:22:59,510 --> 00:23:00,510 Yeah, I'm ready. 187 00:23:00,570 --> 00:23:02,170 How's that? What do you think, Carl? 188 00:23:02,910 --> 00:23:06,490 Fabulous. Carl, speak up. It's your fucking show for Cry 6. What do you 189 00:23:06,650 --> 00:23:07,650 She looks fabulous. 190 00:23:08,310 --> 00:23:10,810 Okay. All right. I think this will work. 191 00:23:12,170 --> 00:23:13,770 You like the hair up? The hair up feels good? 192 00:23:14,130 --> 00:23:15,230 Does the hair up feel good? 193 00:23:15,590 --> 00:23:19,830 Feels good. You want it down or you want it up? Up is good. Up is good? Let's 194 00:23:19,830 --> 00:23:22,750 keep it up. Okay. All right. Do a little turn for us. Let's see. 195 00:23:23,870 --> 00:23:28,750 Okay. All right. All right. Hold that for just a second. Let's see. Let's turn 196 00:23:28,750 --> 00:23:30,590 to page 52. 52. 197 00:23:31,110 --> 00:23:33,510 Let's have her read. She needs to read from page 52. 198 00:23:34,550 --> 00:23:36,990 52 is the page. Let's see what we got there. 199 00:23:37,910 --> 00:23:39,970 Let's hear a few lines before we take you in the room. 200 00:23:40,610 --> 00:23:42,550 Connor, you're going to have to work with her here. 201 00:23:42,790 --> 00:23:46,770 We're going to put her on tape. If you want her to be your lead, you're going 202 00:23:46,770 --> 00:23:48,730 have to work with her. What do we have on 52? 203 00:23:49,450 --> 00:23:51,790 A conversation between. 204 00:23:52,879 --> 00:23:54,180 Peter and Sabrina? 205 00:23:54,620 --> 00:23:55,620 Peter and Sabrina? 206 00:23:55,840 --> 00:23:59,220 Read a few lines. Let's hear a Sabrina line. What does Sabrina say? 207 00:23:59,560 --> 00:24:00,560 Okay. 208 00:24:00,740 --> 00:24:02,260 Your friend is mine, Peter. 209 00:24:03,620 --> 00:24:04,740 Well, Carl, what do you think? 210 00:24:06,720 --> 00:24:07,720 What do you mean? 211 00:24:08,880 --> 00:24:12,160 Come on, man. You're the director. You're like the executive. You're like 212 00:24:12,160 --> 00:24:15,080 CEO of a major corporation here, except it's my million fucking dollars you're 213 00:24:15,080 --> 00:24:17,060 spending. So let's hear, what do you think? 214 00:24:19,000 --> 00:24:20,460 She had a good line. 215 00:24:20,800 --> 00:24:22,270 Yeah. Okay, 216 00:24:23,110 --> 00:24:24,110 the page is wrong. 217 00:24:24,330 --> 00:24:25,890 The page is completely wrong. 218 00:24:26,130 --> 00:24:28,310 Go to page 94. 219 00:24:29,110 --> 00:24:31,350 It's got to be page 94. It's just the wrong page. 220 00:24:31,730 --> 00:24:32,970 I mean, 94. 221 00:24:33,390 --> 00:24:35,330 It wasn't 52. It's got to be 94. 222 00:24:35,610 --> 00:24:36,610 What is that script? 223 00:24:36,710 --> 00:24:42,070 That's Return of the Man. It's a great script for reads. It's really wonderful. 224 00:24:42,210 --> 00:24:44,750 I'd never make the fucking film, but for reads, it's really good. It's got 225 00:24:44,750 --> 00:24:46,470 snappy dialogue, very quirky. 226 00:24:46,850 --> 00:24:49,250 It's a period piece. The Zell and Bug. 227 00:24:49,690 --> 00:24:52,370 Bug. Bug. What do you think? What do you think? 228 00:24:52,570 --> 00:24:53,890 It'll show range. 229 00:24:54,270 --> 00:24:56,330 She'll be a great book. How to read bug. 230 00:25:00,090 --> 00:25:01,090 Okay. 231 00:25:04,270 --> 00:25:05,270 Yes. 232 00:25:05,830 --> 00:25:07,650 He had tiara. 233 00:25:08,410 --> 00:25:11,990 What the fuck are you doing? 234 00:25:12,330 --> 00:25:15,370 Well, that's the line for bug. It's like Indian or something. What did you think 235 00:25:15,370 --> 00:25:16,370 of that? 236 00:25:16,780 --> 00:25:19,580 Carl, this is like, it's like Navajo. 237 00:25:20,500 --> 00:25:22,780 Look, ah, here we go. House of the Lunatic. 238 00:25:23,440 --> 00:25:24,440 House of the Lunatic. 239 00:25:24,700 --> 00:25:28,580 All right, look, look, look. I can't do everything. Okay, Carl, I can't. 240 00:25:28,880 --> 00:25:34,640 You choose a page for her, okay? You choose a page, and I want to see you on 241 00:25:34,640 --> 00:25:37,940 set. Let's see, can she read it? You got that camera ready? I want to see you on 242 00:25:37,940 --> 00:25:39,480 the set in about ten minutes. 243 00:25:39,700 --> 00:25:43,980 Do a little rehearsal with her. Pick a page. Ten minutes, we're on the set, and 244 00:25:43,980 --> 00:25:45,100 we shoot this thing, okay? 245 00:25:45,850 --> 00:25:46,850 Winter stand? 246 00:25:48,010 --> 00:25:49,010 Okay? 247 00:25:49,170 --> 00:25:50,250 Yeah. All right, okay. 248 00:25:51,670 --> 00:25:56,350 It seems a little unorganized around here. 249 00:25:57,070 --> 00:25:59,830 Well, I mean, the guy's out of control. He's got the money. 250 00:26:00,070 --> 00:26:01,190 The film's going to be great. 251 00:26:02,090 --> 00:26:05,470 Okay. It's kind of making me a little uncomfortable. It's not the script. That 252 00:26:05,470 --> 00:26:06,470 wasn't the script. 253 00:26:07,590 --> 00:26:08,590 Where's the script? 254 00:26:09,410 --> 00:26:13,430 Well, we'll pick a scene from here. We'll get you on tape. 255 00:26:13,650 --> 00:26:14,790 We'll get it to the studio. 256 00:26:15,280 --> 00:26:18,360 Okay. Yeah, I guess that's really important, right? Yeah. 257 00:26:18,880 --> 00:26:19,880 Okay. 258 00:26:21,400 --> 00:26:25,180 They're going to pick the girl. And, you know, of course, I'm the director, so, 259 00:26:25,240 --> 00:26:28,540 you know, I'll be able to help out. But we'll just get something on camera. 260 00:26:29,120 --> 00:26:30,120 Okay. 261 00:26:30,300 --> 00:26:32,840 And hopefully avoid that nutcase. 262 00:26:33,780 --> 00:26:36,460 I don't have all day, you know. Let's pick it up, guys. Come on. 263 00:26:37,740 --> 00:26:39,560 We should probably hurry, right? 264 00:26:40,520 --> 00:26:43,960 Are you familiar with the script at all? Yeah, there's a great scene here 265 00:26:43,960 --> 00:26:45,680 between Heidi and Paul. 266 00:26:47,600 --> 00:26:49,420 It starts right here. 267 00:26:56,720 --> 00:26:58,220 Yeah, I'll do this one. 268 00:27:02,680 --> 00:27:04,760 I'll give it a chance to read it over a couple times. 269 00:27:19,340 --> 00:27:21,300 So, ready to read something? 270 00:27:23,380 --> 00:27:26,960 Sure. Would you like me to do that same line that I did a little earlier? 271 00:27:27,400 --> 00:27:29,100 Yeah, just try a little bit of the Sabrina. 272 00:27:29,400 --> 00:27:34,060 I'll play the other two parts, right? 273 00:27:34,500 --> 00:27:41,500 Yeah, that's what you do, right? Why don't you... No, no, no. You read 274 00:27:41,500 --> 00:27:45,400 the other parts, right? 275 00:27:46,350 --> 00:27:53,270 Right, and she'll read Sabrina, and then you give her direction. 276 00:27:53,510 --> 00:27:58,050 You get her energized, and we'll do it a couple different ways. And then what 277 00:27:58,050 --> 00:27:59,470 we'll do is we'll choose. 278 00:27:59,750 --> 00:28:04,970 We'll choose which one, two, three. We'll choose which one of those three, 279 00:28:04,970 --> 00:28:08,370 that's the one that we'll send to the studio, okay? 280 00:28:08,870 --> 00:28:13,990 Oh, right. Okay, so let's see it. Let's see it. Bobby, roll camera, okay? 281 00:28:14,570 --> 00:28:16,770 And when we're done with this, turn the camera off. 282 00:28:17,850 --> 00:28:19,170 God. Jesus. 283 00:28:19,530 --> 00:28:23,930 Wow. Okay, all right, okay, okay. And, and, you know, I'm not the director. 284 00:28:23,950 --> 00:28:27,050 You're the, you have to call action. I'm not going to call it from back there, 285 00:28:27,130 --> 00:28:30,990 man. So let's, let's, let's, let's hear it. Whenever you're ready. 286 00:28:31,870 --> 00:28:32,789 Go ahead. 287 00:28:32,790 --> 00:28:33,790 Action. 288 00:28:34,730 --> 00:28:36,970 I wonder what Peter and Ben are doing right now. 289 00:28:38,130 --> 00:28:39,210 Working, like you said. 290 00:28:40,730 --> 00:28:42,790 No, I mean right now. 291 00:28:45,160 --> 00:28:46,160 You want some grapes? 292 00:28:50,220 --> 00:28:51,580 What's going on there? I want some. 293 00:28:51,900 --> 00:28:53,480 Your read's horrible. 294 00:28:53,740 --> 00:28:57,360 Thank God you're the actress and this guy's just like some lowly director 295 00:28:57,660 --> 00:29:00,760 He probably wishes he was an actor. All actors just want to be directors anyway, 296 00:29:00,820 --> 00:29:04,340 don't they? And then actors want to be directors. Nobody wants to do what they 297 00:29:04,340 --> 00:29:07,500 really should be doing. It's a clusterfuck, I'm telling you. 298 00:29:07,760 --> 00:29:11,620 Listen, have her do it a different way. You've got to change. 299 00:29:13,020 --> 00:29:14,220 Well, we didn't even finish. 300 00:29:14,440 --> 00:29:15,880 Try it with a Midwestern accent. 301 00:29:17,300 --> 00:29:21,400 And I'll try... You know. 302 00:29:22,300 --> 00:29:23,039 Go ahead. 303 00:29:23,040 --> 00:29:24,040 Okay. 304 00:29:24,500 --> 00:29:27,560 Bobby, are you wrong? Okay, good. All right. When you two are ready. 305 00:29:28,360 --> 00:29:29,360 Okay. 306 00:29:30,560 --> 00:29:36,900 Um... We don't have all day here. I mean... Can I, like, get my thoughts 307 00:29:36,900 --> 00:29:40,060 together? All right, go, go. Just go. Just go. All right. I've got people 308 00:29:40,060 --> 00:29:41,300 up outside. Let's go. Let's go. 309 00:29:41,870 --> 00:29:44,770 Okay, you guys called me, so don't forget that, okay? 310 00:29:45,170 --> 00:29:46,590 Have I told you how beautiful you are? 311 00:29:46,810 --> 00:29:48,230 You're gorgeous. 312 00:29:48,690 --> 00:29:49,910 Isn't she beautiful? Give her a second. 313 00:29:50,270 --> 00:29:52,250 I'll have flowers and champagne when you're done. 314 00:29:52,590 --> 00:29:53,590 Okay. 315 00:29:54,250 --> 00:29:56,870 I wonder what Peter and Ben are doing right now. 316 00:29:58,410 --> 00:29:59,690 Working, like you said. 317 00:30:00,470 --> 00:30:02,170 No, I mean right now. 318 00:30:03,130 --> 00:30:04,130 You want some grapes? 319 00:30:04,790 --> 00:30:06,070 God, she's good, don't you think? 320 00:30:07,150 --> 00:30:08,150 What do you think? 321 00:30:09,039 --> 00:30:12,860 The Midwestern accent was dead on. Yeah, well, you've got to give her another. 322 00:30:13,080 --> 00:30:15,080 She's got to do something else, and we've got to have a choice. 323 00:30:15,460 --> 00:30:17,420 Right? Right? Listen, he's brilliant. 324 00:30:18,600 --> 00:30:20,240 I'm telling you. He's brilliant. 325 00:30:20,520 --> 00:30:21,520 He's brilliant. 326 00:30:22,140 --> 00:30:23,200 Have her do it another way. 327 00:30:23,880 --> 00:30:24,880 Forget the Midwest. 328 00:30:25,760 --> 00:30:26,760 Okay. 329 00:30:27,100 --> 00:30:34,020 Try... Your mom just died right before this scene. Go ahead. Try 330 00:30:34,020 --> 00:30:35,020 it. 331 00:30:40,590 --> 00:30:42,730 I wonder what Peter and Ben are doing right now. 332 00:30:44,610 --> 00:30:45,790 Working, like you said. 333 00:30:47,770 --> 00:30:48,770 No. 334 00:30:49,170 --> 00:30:51,290 I mean, I mean right now. 335 00:30:52,070 --> 00:30:53,670 You want some grapes? 336 00:30:54,770 --> 00:30:55,770 I want some. 337 00:30:55,890 --> 00:30:56,890 Oh, God. 338 00:30:57,390 --> 00:30:59,670 That was brilliant. 339 00:30:59,890 --> 00:31:03,230 You made the perfect... Would you have sex with her? 340 00:31:04,490 --> 00:31:10,020 What? That was... I was back here thinking, you know, I was thinking, if 341 00:31:10,020 --> 00:31:14,140 guy 18 to 35, that's our demographic, 18 to 35 males, Midwest, remember. 342 00:31:14,380 --> 00:31:20,380 If I'm back there and I'm watching this, I'm thinking, I want to have sex with 343 00:31:20,380 --> 00:31:21,299 this woman. 344 00:31:21,300 --> 00:31:25,680 So I think that your direction was brilliant. I think that you pulled the 345 00:31:25,680 --> 00:31:27,000 sensuality. She was dry. 346 00:31:28,500 --> 00:31:29,900 No, she was bad. 347 00:31:30,300 --> 00:31:31,460 But that time. 348 00:31:31,870 --> 00:31:36,150 But that time, you see, that's the magic between you as a director, and she is a 349 00:31:36,150 --> 00:31:38,390 wonderful actress, is you pulled that out. 350 00:31:38,630 --> 00:31:40,030 You pulled that out, right? 351 00:31:40,230 --> 00:31:43,050 I mean, I do know what I'm doing. I think that you should give her a little 352 00:31:43,050 --> 00:31:47,490 direction, and we'll do another read. I've got to run. I think that we've got 353 00:31:47,490 --> 00:31:50,710 few more girls outside. I'm going to go talk to them. You two discuss it. We'll 354 00:31:50,710 --> 00:31:54,650 put one more on tape, and then we'll see the others, and we'll move on from 355 00:31:54,650 --> 00:31:55,730 there. All right? Okay. Okay, 356 00:31:57,750 --> 00:31:59,010 so are you frightened yet? 357 00:31:59,970 --> 00:32:00,970 A little. 358 00:32:01,230 --> 00:32:02,230 But I don't mind. 359 00:32:02,670 --> 00:32:06,170 And there's some good people involved in this film. You know. 360 00:32:06,730 --> 00:32:10,310 Yeah, I can tell you're definitely one of them. You'll get paid. That's what 361 00:32:10,310 --> 00:32:12,230 saying. And you won't get hurt in the process. 362 00:32:13,490 --> 00:32:16,250 So what do you do for fun? I mean, besides. 363 00:32:16,910 --> 00:32:17,910 For fun? 364 00:32:18,790 --> 00:32:19,910 I don't know. 365 00:32:20,730 --> 00:32:22,210 Stuff. Really? 366 00:32:22,450 --> 00:32:23,450 Yeah. 367 00:32:24,330 --> 00:32:25,330 You know. 368 00:32:26,090 --> 00:32:29,090 Yeah, you think I'm too... Despite his insanity. Yeah, I think you're doing 369 00:32:29,090 --> 00:32:30,470 great. The dress looks... 370 00:32:32,659 --> 00:32:34,720 Perfect. You like it on me? 371 00:32:34,920 --> 00:32:36,260 Yeah, I love it. 372 00:32:36,880 --> 00:32:38,340 How does it look on my breasts? 373 00:32:39,800 --> 00:32:44,920 I knew it would fit perfect when I saw it hanging there, so it looks great. 374 00:32:45,440 --> 00:32:49,280 Is there any topless parts in here? I mean, maybe you need to have a better 375 00:32:49,280 --> 00:32:50,280 at them. 376 00:32:50,440 --> 00:32:55,080 Well, there's, yeah, there's a couple of love scenes, and we're probably going 377 00:32:55,080 --> 00:32:57,100 to need to, you know, eventually. 378 00:32:57,440 --> 00:32:58,440 What do you think? 379 00:33:01,310 --> 00:33:04,490 Perfect. I mean, they're... What about from the side? 380 00:33:05,070 --> 00:33:07,390 Well, I mean... Do you like my nipples? 381 00:33:07,650 --> 00:33:09,110 Do you want me to get them hard for you? 382 00:33:09,950 --> 00:33:12,710 I bet you could make them really hard. 383 00:33:13,070 --> 00:33:14,070 Well, 384 00:33:14,490 --> 00:33:17,150 I... Why don't you feel them for me? Tell me what you think. 385 00:33:17,470 --> 00:33:19,210 Well, they... They feel real, don't they? 386 00:33:19,450 --> 00:33:21,110 They feel really great. 387 00:33:23,710 --> 00:33:24,710 Wow. 388 00:33:26,070 --> 00:33:28,490 We're not going to need a body double, I can tell. No. 389 00:33:28,830 --> 00:33:29,830 No. 390 00:33:31,060 --> 00:33:32,880 Yeah. Do you want to see more? 391 00:33:34,240 --> 00:33:36,640 I mean... I'd really like to show you more. 392 00:33:37,240 --> 00:33:39,640 Whatever you'd like. You're in control here. 393 00:33:44,820 --> 00:33:45,820 Whoops. 394 00:33:50,880 --> 00:33:52,100 Um, so what do you think? 395 00:33:52,720 --> 00:33:55,280 I... Yeah. 396 00:33:55,920 --> 00:33:58,680 Yeah? You passed the body check. 397 00:34:04,810 --> 00:34:05,810 How do you feel? 398 00:34:06,710 --> 00:34:09,290 So far, no complaints. 399 00:34:11,170 --> 00:34:12,210 You look good. 400 00:34:52,139 --> 00:34:53,900 Are you ready to play with it this morning? 401 00:34:55,080 --> 00:34:58,100 Well, my agent's been coming for a bit, so... 402 00:38:25,200 --> 00:38:26,400 Not yet. 403 00:42:04,779 --> 00:42:09,040 What's taking you so long? I've got other people waiting out there. Honey, 404 00:42:09,040 --> 00:42:11,160 were great. I don't think you're going to make it. 405 00:42:11,820 --> 00:42:15,720 Maybe you can do B -movies or something, okay? What? There's a girl in here 406 00:42:15,720 --> 00:42:18,080 you've got to see. I think you're going to make it. I haven't made our decision 407 00:42:18,080 --> 00:42:19,240 yet. Come on, come on, come on. 408 00:42:19,860 --> 00:42:23,060 Okay, so I don't get the part now? We haven't made our decision yet. 409 00:42:24,200 --> 00:42:27,440 What did I do? He hasn't even seen the tape. You were great on it. All right. 410 00:42:27,920 --> 00:42:28,960 Believe me, we'll be in touch. 411 00:42:31,470 --> 00:42:34,750 Amanda, wonderful, wonderful. I'm glad you could make it on such short notice. 412 00:42:35,110 --> 00:42:37,990 We have a little bit of a situation. We need you to read for this part. It's the 413 00:42:37,990 --> 00:42:39,250 lead in the film. 414 00:42:39,850 --> 00:42:42,810 Okay. In the film. It's a great film. It's awesome. You'll absolutely love it. 415 00:42:43,150 --> 00:42:44,450 Carl. Carl. 416 00:42:44,730 --> 00:42:45,730 Carl. 417 00:42:46,050 --> 00:42:47,050 Come on in. 418 00:42:47,230 --> 00:42:48,230 Amanda. 419 00:42:48,330 --> 00:42:50,370 Amanda. Carl. Hi. Carl. The director. 420 00:42:50,950 --> 00:42:52,150 Phenomenal young talent. 421 00:42:52,410 --> 00:42:53,410 Great short. 422 00:42:54,150 --> 00:42:59,850 Almost won first place fantasy genre Bakersfield Film Festival. I was there. 423 00:43:00,330 --> 00:43:01,089 You know. 424 00:43:01,090 --> 00:43:02,850 Yeah. Oh, no, no. 425 00:43:03,690 --> 00:43:07,030 What do you think? I think she's the one. Don't you think? She's absolutely 426 00:43:07,030 --> 00:43:09,470 gorgeous. Well, she looks great. Yeah. 427 00:43:10,130 --> 00:43:12,450 Probably have to have you read something. Carl, are you talking back? 428 00:43:12,670 --> 00:43:16,250 Seriously. I mean, look at this. Oh, gosh. 429 00:43:16,530 --> 00:43:19,450 Look at her eyes. Wait. Look right into his eyes. Look, look, look, look, look. 430 00:43:19,590 --> 00:43:20,910 Okay. See sparkles? 431 00:43:21,530 --> 00:43:27,190 Like flames. They're like flames of sensual things. They're wonderful. Don't 432 00:43:27,190 --> 00:43:31,290 think? You're like the shmarmy nightclub guy who walks up to a girl and says, 433 00:43:31,330 --> 00:43:32,850 hey, you'd be great. What? 434 00:43:33,530 --> 00:43:34,530 Let's have her read. 435 00:43:35,490 --> 00:43:36,650 Yeah. I don't mind. 436 00:43:36,930 --> 00:43:38,970 Yeah, Carl, that's a great idea, Carl. 437 00:43:39,770 --> 00:43:43,350 All right, let's have her read. Here, have her read something out of this. 438 00:43:43,550 --> 00:43:44,109 What's this? 439 00:43:44,110 --> 00:43:45,110 Page 59. 440 00:43:45,510 --> 00:43:46,990 59, the man says. Page 59. 441 00:43:47,350 --> 00:43:51,370 Let's have her take a look and see what's on 59. 442 00:43:51,570 --> 00:43:52,570 Let's have her read that. 443 00:43:53,460 --> 00:43:55,160 It'll be good. She's going to be phenomenal. 444 00:43:55,480 --> 00:43:58,180 I've heard great things about you. Weren't you in that film, Attack of the 445 00:43:58,180 --> 00:43:59,180 Killer? 446 00:43:59,500 --> 00:44:06,240 What was it? No, no, that was, no, what was, what was, never mind, it doesn't 447 00:44:06,240 --> 00:44:09,420 matter. She's been in great films. Her films are phenomenal. 448 00:44:09,720 --> 00:44:15,780 She has a great persona on stage, incredible magnetism, and I think that 449 00:44:15,780 --> 00:44:18,220 going to, okay, what do you think, Carl? 450 00:44:19,509 --> 00:44:23,090 Come on. I need something from you here. Look, I'm throwing a lot of money in 451 00:44:23,090 --> 00:44:25,110 the line here. I really need something from you here. 452 00:44:25,810 --> 00:44:27,610 I'm on board with you. She looks great. 453 00:44:27,950 --> 00:44:28,950 See? 454 00:44:29,090 --> 00:44:34,950 I told you. Thank you. He sees it. He sees your beauty. He sees the glory. 455 00:44:35,430 --> 00:44:38,430 But you know what? She's going to have to. We've got to get her into a 456 00:44:38,430 --> 00:44:39,430 outfit first. 457 00:44:39,490 --> 00:44:41,950 So let me take the script away from you. You can't have that. 458 00:44:42,490 --> 00:44:46,050 Okay, we've got to get her. She used to be in something different. You know her 459 00:44:46,050 --> 00:44:48,930 demographic. We've talked about this before, Carl. What do you think, man? 460 00:44:51,330 --> 00:44:55,390 I think she's the one. I think she's absolutely the one. 461 00:44:55,690 --> 00:44:57,490 I thought those were pretty cute. 462 00:44:58,990 --> 00:44:59,990 This might work. 463 00:45:00,250 --> 00:45:02,730 That's great. She has phenomenal taste. I love her taste. 464 00:45:02,990 --> 00:45:05,050 In fact, that's why that film that you did. 465 00:45:06,770 --> 00:45:08,510 It's escaping me right now, but it was magnificent. 466 00:45:08,990 --> 00:45:11,950 It was great. I can't remember the title because I was so overwhelmed with her 467 00:45:11,950 --> 00:45:14,670 beauty. It was like, you know, it was like Welch in that movie, A Million 468 00:45:14,670 --> 00:45:18,310 B .C. You know, cavewoman running around in bikinis that were like all low -cut. 469 00:45:18,510 --> 00:45:22,430 You know, I'm talking about like 72 -ish or something like that. It was great. 470 00:45:22,670 --> 00:45:23,790 She was just like that. 471 00:45:24,350 --> 00:45:28,790 Absolutely just like that, yeah. So what we're going to do is, Carl, come on. 472 00:45:29,390 --> 00:45:30,390 What is she going to do? 473 00:45:30,850 --> 00:45:32,750 Well, I guess try those. 474 00:45:33,600 --> 00:45:36,460 Pants on, and we'll read. Okay, we're going to let you go. 475 00:45:36,860 --> 00:45:37,860 We're going to walk away. 476 00:45:38,080 --> 00:45:41,900 You change into the pants, okay? When you're ready, we'll come right back in. 477 00:45:41,940 --> 00:45:43,520 We're going to get you to read for the camera. 478 00:45:43,940 --> 00:45:44,940 Come on, come on. 479 00:45:45,280 --> 00:45:47,380 Let's talk about this rewrite you're doing tonight. 480 00:45:47,960 --> 00:45:49,900 You've got about 40 pages you've got to rewrite. 481 00:46:28,970 --> 00:46:29,970 You've got to be ready now. 482 00:46:30,010 --> 00:46:31,010 Oh, oh. 483 00:46:31,150 --> 00:46:32,150 You're almost there. 484 00:46:32,590 --> 00:46:36,290 You're going to get the roll. You're going to get the roll. And it's sexy. 485 00:46:36,290 --> 00:46:38,810 got to see anyway so it doesn't really matter. Those are really, what do you 486 00:46:38,810 --> 00:46:41,270 think, Carl? Those are really nice. Yeah. Good choice. 487 00:46:41,510 --> 00:46:42,990 Is that going to work? I think it's going to work, huh? 488 00:46:43,250 --> 00:46:44,250 Yeah. 489 00:46:44,410 --> 00:46:45,710 She's got the figure for it. 490 00:46:46,610 --> 00:46:47,610 Yeah. 491 00:46:48,150 --> 00:46:49,690 Okay, so what do we say? 59? Yeah. 492 00:46:50,410 --> 00:46:51,410 Let's get 59. 493 00:46:51,630 --> 00:46:52,630 59. 494 00:46:52,690 --> 00:46:53,690 59. 495 00:46:57,320 --> 00:46:58,660 Let's go. Okay, 59. 496 00:46:59,500 --> 00:47:01,660 All right, there you go. 497 00:47:03,460 --> 00:47:04,940 You know the scene? 498 00:47:05,740 --> 00:47:06,940 How the fuck would I know the scene? 499 00:47:07,380 --> 00:47:11,920 I got 8 ,000 scripts on my fucking desk. How am I going to know what page 59 of 500 00:47:11,920 --> 00:47:14,700 this one is? How am I going to know what that is? 501 00:47:14,920 --> 00:47:18,000 I mean, if you're sort of in charge, you might know the scene. 502 00:47:19,440 --> 00:47:24,040 Let's just read this. It says I'm hiding and I look sleepy. Okay, she's hiding 503 00:47:24,040 --> 00:47:25,040 and she looks sleepy. 504 00:47:25,300 --> 00:47:26,500 You're brilliant. Take control. 505 00:47:27,740 --> 00:47:28,960 Why didn't you return my letters? 506 00:47:30,400 --> 00:47:31,400 Letters? 507 00:47:33,840 --> 00:47:35,880 I've been quite busy. 508 00:47:37,060 --> 00:47:38,080 That is no excuse. 509 00:47:41,440 --> 00:47:42,440 Sorry. 510 00:47:44,740 --> 00:47:45,740 Okay, this is great. 511 00:47:46,180 --> 00:47:47,180 I'm overwhelmed. 512 00:47:47,280 --> 00:47:51,800 I'm so inspired. I want to go out and I just want to buy tissues because I'm 513 00:47:51,800 --> 00:47:54,160 going to cry a lot. That's what I want to do. I want to buy tissues because I'm 514 00:47:54,160 --> 00:47:55,160 going to cry a lot because I'm so inspired. 515 00:47:55,470 --> 00:47:59,230 But you need to bring it up some, okay? Remember our demographic. We've got boys 516 00:47:59,230 --> 00:48:02,390 18 to 35 who really want to watch this film and certainly want to watch her. 517 00:48:02,390 --> 00:48:06,210 I don't want to be crying. I don't want to be crying. So why don't you give her 518 00:48:06,210 --> 00:48:07,390 something else? Give her some direction. 519 00:48:08,590 --> 00:48:11,950 Look, I saw the film in Bakersfield. It was phenomenal. 520 00:48:12,450 --> 00:48:13,450 He's brilliant. 521 00:48:13,530 --> 00:48:14,009 He's brilliant. 522 00:48:14,010 --> 00:48:16,190 Show us some of that. All right. All right. 523 00:48:19,150 --> 00:48:20,150 Yeah. 524 00:48:21,470 --> 00:48:23,330 All right, so 59. 525 00:48:24,870 --> 00:48:26,870 59. Let me ask you something. 526 00:48:28,270 --> 00:48:30,970 Have you ever... Did you go to college? 527 00:48:31,290 --> 00:48:32,370 No. No? 528 00:48:32,650 --> 00:48:33,650 No. 529 00:48:34,670 --> 00:48:35,890 That's not going to work then. Carl. 530 00:48:36,710 --> 00:48:37,710 Carl. 531 00:48:38,690 --> 00:48:39,690 Look. 532 00:48:40,330 --> 00:48:41,650 Carl, did you go to college, Carl? 533 00:48:42,250 --> 00:48:43,250 Carl? 534 00:48:43,370 --> 00:48:44,370 It's not going to work. 535 00:48:44,490 --> 00:48:48,710 You know, I'm really... You know, I love you. You're like my son. You're like my 536 00:48:48,710 --> 00:48:50,770 son I never had. I love you to death. 537 00:48:51,070 --> 00:48:53,130 You're fucking off. You're way off. You're way off. 538 00:48:53,550 --> 00:48:57,770 I'm going to go get like a power drink or, I don't know, a coffee or something. 539 00:48:57,810 --> 00:48:59,990 You guys just work this shit out. You work this shit out. 540 00:49:02,050 --> 00:49:05,350 The guy's out of control. This isn't the script. 541 00:49:06,050 --> 00:49:07,530 I don't even know what the fuck this is. 542 00:49:08,590 --> 00:49:10,670 He has some money. That's about all. 543 00:49:12,450 --> 00:49:16,810 He wants to hire you. We're going to make a good film. I just have to bite my 544 00:49:16,810 --> 00:49:18,250 tongue when I'm around this jackass. 545 00:49:19,290 --> 00:49:20,290 Well, 546 00:49:20,970 --> 00:49:22,530 you know, I really did love your film. 547 00:49:22,970 --> 00:49:25,790 Well, this is going to be quite a bit bigger production. 548 00:49:26,050 --> 00:49:28,470 Really? Oh, I'd really like to be in it. 549 00:49:28,730 --> 00:49:29,730 Yeah. 550 00:49:29,810 --> 00:49:35,450 We do have to get you on camera for something, but we'll worry about that 551 00:49:35,630 --> 00:49:38,070 I mean, what do you do for fun? 552 00:49:38,790 --> 00:49:39,870 What kind of person are you? 553 00:49:41,790 --> 00:49:42,790 I don't know. 554 00:49:43,470 --> 00:49:46,450 So what can we do? It's like being in your film. 555 00:49:47,450 --> 00:49:50,230 Well, I mean, I like you. 556 00:49:50,650 --> 00:49:55,950 You're perfect. When I pictured the lead role, I pictured you. And, I mean, so 557 00:49:55,950 --> 00:50:01,150 far, I don't see any reason why you couldn't be that girl. 558 00:50:02,130 --> 00:50:03,370 Okay. Yay. 559 00:50:03,590 --> 00:50:04,590 Thank you. 560 00:50:05,350 --> 00:50:06,350 Thank you, maybe. 561 00:50:08,370 --> 00:50:09,370 Well. 562 00:50:56,880 --> 00:51:00,100 This is an interesting parenting session. This is what normally happens. 563 01:00:08,430 --> 01:00:09,590 That's the inspiration. 564 01:00:09,830 --> 01:00:12,690 We need this kind of inspiration for our show. 565 01:00:13,130 --> 01:00:14,970 I'm impressed. 566 01:00:15,230 --> 01:00:16,450 I'm encouraged. 567 01:00:17,630 --> 01:00:18,750 I feel the energy. 568 01:00:18,970 --> 01:00:25,150 I feel like there's hope. We can pull. We don't need Christy. We don't need... 569 01:00:25,150 --> 01:00:31,370 Come on. Come on. Come on. Carl. Carl. Carl. This is Kelly. 570 01:00:32,150 --> 01:00:33,470 Kelly. Carl. 571 01:00:33,790 --> 01:00:35,130 Carl is the director. 572 01:00:35,470 --> 01:00:36,470 I'm Kelly. 573 01:00:37,230 --> 01:00:41,390 She's the one. Yeah, she's the one. This has to be the one. Yeah, Tara is... No, 574 01:00:41,550 --> 01:00:42,550 Kelly. 575 01:00:42,970 --> 01:00:45,370 Kelly. Kelly, yeah. Kelly was in everybody's agency. 576 01:00:45,830 --> 01:00:46,830 Look, 577 01:00:46,950 --> 01:00:49,830 she's gorgeous. She's absolutely gorgeous. I will play the part great, 578 01:00:49,830 --> 01:00:52,650 ready to learn my script and everything. Do they send you sides? Do you have 579 01:00:52,650 --> 01:00:55,710 sides? They didn't send me anything yet, so I don't really have an idea. Oh, 580 01:00:55,710 --> 01:00:57,130 God. I just know it's a romance. 581 01:00:57,490 --> 01:00:58,490 It's unbelievable. 582 01:00:59,170 --> 01:01:01,870 Is that a novel? Look, you're going to have to dial in. 583 01:01:02,240 --> 01:01:05,800 Get in. You're going to dial in, okay, because she hasn't seen anything yet. 584 01:01:05,800 --> 01:01:11,340 right? So you get into her head, and we'll feed her something great, and 585 01:01:11,340 --> 01:01:14,340 do her screen test. We'll do it on the gel set. 586 01:01:14,680 --> 01:01:15,680 The gel. 587 01:01:15,820 --> 01:01:16,840 The gel. Wow. 588 01:01:18,140 --> 01:01:20,520 Imprisoned female form needs to be liberated. 589 01:01:20,880 --> 01:01:21,779 What do you think, man? 590 01:01:21,780 --> 01:01:23,520 No, no, no. It's your show. You tell me. 591 01:01:24,580 --> 01:01:25,600 I'm tired. 592 01:01:26,580 --> 01:01:29,400 She has to be the one. I told you. I'm it. 593 01:01:29,660 --> 01:01:30,660 I told you. I'm the one. 594 01:01:31,600 --> 01:01:32,359 He's brilliant. 595 01:01:32,360 --> 01:01:34,380 He's absolutely brilliant. Wow. It's been a long day. 596 01:01:35,800 --> 01:01:37,940 What's your problem? You got bugs in your hair? 597 01:01:38,780 --> 01:01:40,020 I thought I saw a fly. 598 01:01:40,740 --> 01:01:41,740 Bobby? 599 01:01:42,040 --> 01:01:43,740 The pest control people have been here yet? 600 01:01:43,960 --> 01:01:44,960 I need a medication. 601 01:01:47,140 --> 01:01:51,240 Are you feeling okay? No, I'm feeling completely fine. In fact, I'm inspired 602 01:01:51,240 --> 01:01:54,620 right now. He is such an inspirational person. I'm completely inspired. I know 603 01:01:54,620 --> 01:01:55,399 he's going to do great. 604 01:01:55,400 --> 01:01:58,820 Listen, I've got a bunch of people waiting out there. I've got to go talk 605 01:01:58,820 --> 01:02:02,540 them. I've got to get them dialed into what we're doing. Okay? 606 01:02:03,160 --> 01:02:04,280 Right? Right? What? 607 01:02:04,580 --> 01:02:05,580 What we're doing. 608 01:02:05,760 --> 01:02:06,578 Okay, yeah. 609 01:02:06,580 --> 01:02:11,000 Teach me. Now, so what I want you to do. Oh, I'm learning. That's great. We know 610 01:02:11,000 --> 01:02:12,740 the routine, Carl. You're the man. 611 01:02:13,200 --> 01:02:14,800 Pick out a nice out for her. 612 01:02:15,180 --> 01:02:16,180 Get in the outfit. 613 01:02:16,280 --> 01:02:20,360 We'll take some scripts with us. We'll feed her some lines in the jail set, put 614 01:02:20,360 --> 01:02:23,360 her on tape, send her to the executives, and we'll have our movie. 615 01:02:23,660 --> 01:02:24,538 Look, look. 616 01:02:24,540 --> 01:02:25,820 We don't need Christy. 617 01:02:26,660 --> 01:02:28,040 We don't need Christy. Me, me. 618 01:02:29,800 --> 01:02:30,800 Christy's in Cancun. 619 01:02:30,960 --> 01:02:34,720 Oh, well, I'm right here. She's drinking margaritas. Very well. She's looking at 620 01:02:34,720 --> 01:02:35,638 my imperative. 621 01:02:35,640 --> 01:02:37,620 She's getting blitzed right now. She's watching Seagulls. 622 01:02:38,040 --> 01:02:40,640 Margaritaville. She's a bitch. Yeah, she's out. 623 01:02:40,860 --> 01:02:41,638 She's out. 624 01:02:41,640 --> 01:02:42,640 She's a bitch. 625 01:02:42,700 --> 01:02:48,500 Yes. Yes. Right? Yes. She's out because we have you. We have me. You. Yes. You. 626 01:02:48,640 --> 01:02:54,220 You. Yes. Okay. Bobby. Bobby. You pick an outfit. You pick an outfit and I'll 627 01:02:54,220 --> 01:02:56,560 back in, you know, 10. I'll put it right on. Right? Okay. 628 01:02:56,860 --> 01:02:58,760 Okay. Bye. Great. Yeah. 629 01:03:00,060 --> 01:03:01,060 Yeah. 630 01:03:02,660 --> 01:03:06,080 Hopefully you're not thrown off by the... Like a... Am I going to be 631 01:03:06,080 --> 01:03:11,880 like a beautiful woman or a young girl or something? How comfortable are you 632 01:03:11,880 --> 01:03:12,970 with... Can I be sexy? 633 01:03:13,310 --> 01:03:14,310 Maybe lingerie. 634 01:03:14,690 --> 01:03:19,190 Lingerie, that's sexy. There's going to be some, not a lot of nudity, but some 635 01:03:19,190 --> 01:03:20,610 in the movie. Okay. 636 01:03:24,170 --> 01:03:25,170 Carl. 637 01:03:25,590 --> 01:03:26,590 Yeah. 638 01:03:30,690 --> 01:03:32,070 Looks great, doesn't it? 639 01:03:33,990 --> 01:03:34,990 Stubble. 640 01:03:37,450 --> 01:03:38,408 I've been bad. 641 01:03:38,410 --> 01:03:41,590 First time this guy's been silent. Probably, I don't know, the last three 642 01:03:41,590 --> 01:03:42,590 I've known him. Oh, my God. 643 01:03:45,550 --> 01:03:46,870 Finally, I shut him up. 644 01:03:48,650 --> 01:03:50,710 Thank God he came to rescue me. 645 01:03:51,390 --> 01:03:52,770 Take me out of this prison. 646 01:03:53,230 --> 01:03:54,430 He's crazy his whole life. 647 01:03:55,210 --> 01:03:56,330 One time I did something. 648 01:03:57,630 --> 01:04:00,030 Just let me out of here. 649 01:04:03,490 --> 01:04:05,030 You're amazed by the brilliance, aren't you? 650 01:04:08,840 --> 01:04:10,780 Have you chosen the scene? 651 01:04:11,800 --> 01:04:13,780 Um, yeah, you did. 652 01:04:14,520 --> 01:04:15,520 Twenty -three. 653 01:04:18,780 --> 01:04:22,720 Remember, uh, yeah, wait, twenty -three, uh, yeah, how about we do this, and, 654 01:04:22,820 --> 01:04:27,160 uh, we read, we'll put you on camera, and then, uh... Okay. 655 01:04:27,420 --> 01:04:28,420 Okay. 656 01:04:31,460 --> 01:04:33,220 Remember? Twenty -three. 657 01:04:36,120 --> 01:04:37,480 She's in a jail. 658 01:04:38,940 --> 01:04:39,940 So... Okay. 659 01:04:45,520 --> 01:04:46,940 Take your clothes off, please. 660 01:05:02,700 --> 01:05:03,920 That's... That's good. 661 01:05:08,200 --> 01:05:10,520 Got gel, gel cell. 662 01:05:11,000 --> 01:05:14,300 I have to put this big orange thing on? 663 01:05:15,500 --> 01:05:18,260 Apparently. I'm in high security now? 664 01:05:19,580 --> 01:05:21,100 Oh my gosh. 665 01:05:22,000 --> 01:05:23,800 What have I done wrong? 666 01:05:24,580 --> 01:05:26,760 I've been a good girl, I swear. 667 01:05:28,320 --> 01:05:29,660 I'll tell you what, Carl. 668 01:05:31,520 --> 01:05:32,520 Ruger. 669 01:05:36,080 --> 01:05:37,180 Let's hear the reading. 670 01:05:41,460 --> 01:05:44,480 What? Now I look ugly. I'm not sexy anymore. 671 01:05:45,860 --> 01:05:47,400 Zip it all the way up, too. 672 01:05:47,980 --> 01:05:48,980 And button it. 673 01:05:51,320 --> 01:05:52,620 Carl? Rober? 674 01:05:54,140 --> 01:05:55,540 Yes? I guess, let's just read. 675 01:05:58,140 --> 01:06:00,900 It's been there a long time. My grandfather says before. 676 01:06:01,780 --> 01:06:02,780 Even his grandfather. 677 01:06:03,400 --> 01:06:04,400 What does it mean? 678 01:06:07,260 --> 01:06:10,430 Everything. The man with the fire on his face? 679 01:06:12,090 --> 01:06:13,350 And your thoughts? 680 01:06:14,490 --> 01:06:15,490 That's Mathsaw. 681 01:06:16,690 --> 01:06:19,010 He knows about this. 682 01:06:19,550 --> 01:06:23,490 What is the purpose of the car view? Carl. 683 01:06:26,670 --> 01:06:27,850 I love you. 684 01:06:28,910 --> 01:06:31,110 Peter. I love you too. 685 01:06:35,410 --> 01:06:37,070 Am I the only one that... 686 01:06:37,870 --> 01:06:39,790 Do we have to keep studying the script? 687 01:06:40,050 --> 01:06:43,390 No, this doesn't make any sense. I was trying to piss him off. It didn't work. 688 01:06:43,970 --> 01:06:48,150 But I'm going to get this picture made. It's going to be great. Okay. The script 689 01:06:48,150 --> 01:06:48,848 is great. 690 01:06:48,850 --> 01:06:53,790 Cool. Not this, but everything will be great. Don't worry. 691 01:06:54,450 --> 01:06:58,570 Absolutely. And, you know, you're okay with working with somebody who's a 692 01:06:58,570 --> 01:07:00,630 off? Oh, yeah. That's okay. I don't mind. 693 01:07:02,030 --> 01:07:03,310 Well, that's good. No problem. 694 01:07:03,890 --> 01:07:05,530 I already know him already, so. 695 01:07:06,250 --> 01:07:09,870 As long as he lets me out of here. Get over here. I know you didn't want to 696 01:07:09,870 --> 01:07:11,050 read that script to me. 697 01:07:11,410 --> 01:07:12,410 Sit down. 698 01:07:13,430 --> 01:07:19,250 So, what do you think? What I think is, I want to get down to the real business 699 01:07:19,250 --> 01:07:20,290 that I came for. 700 01:07:21,150 --> 01:07:23,330 That's what I think it's time for right now. 701 01:07:44,300 --> 01:07:46,860 See, this is what I'm really going to try to do. 702 01:11:05,650 --> 01:11:07,210 Christy, Ruger sent me over. 703 01:11:09,510 --> 01:11:16,010 You know, sitting on the beach in Cancun drinking margaritas all day got really, 704 01:11:16,130 --> 01:11:17,130 really boring. 705 01:11:17,510 --> 01:11:21,010 So, I've decided to do your movie. 706 01:11:22,030 --> 01:11:23,030 Great. 707 01:11:23,510 --> 01:11:25,310 Yeah. It's really great, isn't it? 708 01:11:25,690 --> 01:11:26,830 It is. It's gonna be great.